VIS 40
Introduction to Computing in the Arts
Fall 1997
Instructor: Natalie Bookchin
bookchin@jupiter.ucsd.edu
Lecture Wednesday 5:45 - 7:35 PM
Center Hall 105
Office Hours Thursday 12:00-1:00 PM
Office Room 351 Visual Arts Facility
Lab: Room 228 Visual Art Facility

Teaching Assistants:
Lisa Hutton
Rachel Stevens

COURSE OVERVIEW
The class consists of a weekly lecture and lab. The lectures will cover the history of computers and computing in the arts, and theories and trends in new media art and digital culture.We will investigate conceptual strategies and creative possibilities for artists working in new media and will examine the immense visual, social, and psychological impact of the "Digital Revolution" on our culture.Thoughout the quarter, we will view a broad range of work by artists who use the computer as a medium, as a tool, as subject matter or all of the above, screening projects on CD-ROMS, the Web and videos as well as other cultural artifacts of the digital age, from games to chat rooms. During weekly labs, students will be introduced to the Silicon Graphics work station and will use some of its basic media and mail tools to develop art projects. Also during labs, students will discuss the required readings and present and critique their art projects.

CLASS REQUIREMENTS
1. Art projects
2. Assignments and readings
3. Final exam
4. Attendance and Promptness

GRADING POLICY AND GENERAL RULES
All assignments must be turned on time. Failure to complete work on due date will result in a full letter grade reduction for each subsequent class in which project is not turned in . Final projects must be turned in on time to receive credit. No late final projects will be accepted. There is no make-up time for the final exam.

ATTENDANCE
In the case of an excused absentee, student will provide a written excuse or a doctor's note. Student will be allowed one unexcused absentees for a lecture and one for a lab during the quarter. After this limit, each unexcused absentee will automatically lower student's grade one half a letter grade. At the end of the lectures, students must sign attendance sheet being passed around or held onto by their teaching assistant. Arriving to class late, forgetting to sign attendance sheet or leaving early will be counted as absentee on the student's record.

MATERIALS
Zip disk for backing up projects.

ON-LINE JOURNALS TO SUBSCRIBE TO OR SURF
Rhizome
Telepolis
Ctheory
Speed
Hotwired

RECOMMENDED Art Sites
Turbulence
Adaweb
The Thing



Schedule (Please note: this schedule is subject to revision and most likely will be modified during the quarter. Readings and surfing assignments are listed on date they are due.)
Works listed under "Screening/Surfing followed by an asterisk means they are available for viewing in the Art and Architecture section of the Geisel Library.


1. 10/1 : Introduction

Screening:
Olia Lialina
Adib Fricke, Leonardo Da Vinci's Smile*
Julia Scher: konsent klinik
(Outside of class: )Gary Hill, "Tall Ships" University Art Gallery
Mandville Center
Tu-Sat 11 AM - 4 PM


2. 10/8: History and Theory of Computers

Reading
Vannevar Bush, As We May Think (1945)
 
Screening/Surfing:
UNIX Cheat Sheet

History of Computers
Historic computer images
The Virtual museum of Computing
Timeline of Events in Computer History


3. 10/15: The Internet and Hypermedia

Project 1:
due the week of 10/29 during lab

Reading
Toshiya Ueno, A Preliminary Thesis Toward The Work of Art in the Age of Cyber Technology
Paul Virilio, Speed and Information: Cyberspace Alarm!
Mark Amerika, Surf-Sample-Manipulate: Playgiarism On The Net

Screening/Surfing
General Internet Information
Basic Internet Terms
Internet Timeline
An Outlined History of the Internet
A Beginners Guide to HTML
HTML Quick Reference

Hypertext and Hypermedia
Sample VA40 Student Project, Spring 97 by Kiera Lofgreen
The Surrealism Compliment Generator
Paul Vee, Charlotte
Mario Hergueta, In the Text
Christa Erikson, Coding Tricks
Paul Vanouse, The Persistant Data Confidante
Nino Rodriguez, Face Value
Cyberpoetry
Interactive Poems
Stuart Moulthrop, Sketch for a New Interactive Fiction;Stratosphere
Laurie Anderson, Here 
Alexei Shulgin, Form art


4. 10/22: Human-computer Interfaces

Reading
Interview with Jodi
John Walker, Through the Looking Glass; Beyond "User Interfaces"
Simon Penny, Consumer Culture and the Technological Imperative: The Artist in Dataspace

Screening/Surfing:
Blind Rom*
Calculators, from ID Interactive Design, 1996*
Jodi
Vertical blanking interval
Jeremy Quinn,Future Sound of London on Line


5. 10/29:  Interactivity and Interactive Digital Narratives

Reading
Andy Cameron Dissimulations: Illusions of Interactivity
Grahame Weinbren, The Digital Revolution is a Revolution of Random Access
Optional Reading:
Jay David Bolter, Digital Media and Cinematic Point of View

Screening/Surfing
Marcel Duchamp's Rotoreliefs
Fluxus on Line
Nam June Paik
Myst*
The Residents: Bad Day on The Midway*
Grahame Weinbren
Nino Rodriguez, Boy*
Adrienne Jenik, Mauve Desert*
George Legrady, Slippery Traces and
Ken Feingold, JCJ -Junkman from Artintact 3, ZKM*
Group Z , I Confess 



6. 11/5: Digital Imaging and Digital Photography

Reading
William J. Mitchell, Intention and Artifice
Lev Manovich, The Labor of Perception
Optional Reading:
William J. Mitchell, How to Do Things with Pictures

Screening/Surfing
El Lissitzky, The Constructor, Self Portrait
Early Computer Art, Cybernetic Serendipity
David Em
Mariko Mori
More Markio Mori
(Art)n Laboratory
Digital Reserves
7:30 Museum of Contemporary Art, 700 Prospect Street, La Jolla
Video screening program: "Surveillance Culture/Surveying Culture"


7. 11/12: Artificial Intelligence and Artificial Life

Final Project

Reading
Harold Cohen, The further exploits of AARON, Painter
Pattie Maes, Artificial Life meets Entertainment: Lifelike Autonomous Agents
Optional Reading:
Julian Dibbell,Viruses Are Good for You;Spawn of the devil, computer viruses may help us realize the full potential of the Net.
Screening/Surfing
The Turing Test
Face Recognition Demo
Chris Csikszentmihalyi, Character Input
Smart Chair
Smart Cameras
Smart Cloths
Machine Understanding: Grammatical Analysis
Eliza
Simon Penny
Craig Reynolds, Boids
Luc Courchesne, Portrait 1, Artintact 2*
Christa Sommerer and Laurent Mignonneau projects:
A-Volve
(A still from project)
Ars Electronic 1993: GENETIC ART - ARTIFICIAL LIFE
Naoko Tosa, Neruo Baby


8. 11/19:  The Body and the Machine: Cyborgs and Surveillance
Reading
Donna Haraway, The Ironic Dream of a Common Language for Women in the Integrated Circuit: Science, Technology,
and Socialist Feminism in the 1980s or A Socialist Feminist Manifesto for Cyborgs
Orlan, Artist Statement about work
Optional Reading
Barbara Rose, Orlan: Is it art?  Orlan and the Transgressive Act
Various texts on Surveillance and Technology
 
Screening/Surfing
Augmented Reality
Orlan (Some images of the surgery)
Cyborg Center
Stelarc
Ping Body Performance

Eva Wohlgemuth, the evasys.bodyscan
Lynn Hershman , Deep Contact
A Room of Ones Own
The Visible Human Project
bureau of inverse technology (BIT)
Is big brother watching you?
Video: Spies Above: Someone is Watching You


9.11/26:2001 A Space Odyssey

Reading
Thanksgiving recipes from Aunt Emma: Thanksgiving football cookies
The Family Fun Network - Thanksgiving Recipes


10. 12/3:Telepresence. VR and other Immersive Environments
 
Reading
Michael Heim, The Essence of VR
Sandy Stone, Will the Real Body Please Stand Up?

Optional Reading
Sandy Stone, Mondo 2000 Interview
Julian Dibbell, "Rape in Cyberspace"
Zoe Beloff, Statement on Beyond (Ideas)

Screening/Surfing
Zoe Beloff, Beyond (1996)
Sheldon Brown
Telepresence Research, Inc.
The Telegarden
Eduardo Kac, Ornitorrinco in Eden
Teleporting an Unknown State
Construct
The Palace
Survival Research Laboratories
Char Davies



**Final exam worksheet**


11. Final Exam: Friday December 12 7-10 PM

 



Optional Reading:
Erkki Huhtamo, Art on the CD-ROM Frontier - a Mirage, a Fly in the Eye, or a real thing

 Marshall McLuhan,"The Playboy Interview"
The fe.mail data_set
Diane Bertolo, Probing into Science [An Investigation] (1995)
Nobukiro Shibayama, Bio-Morph Encyclopedia *

Net Animations:
John Hudak, Artifact
Bullseye art